The email addresses are located in a related table in your database, say customer_email_addresses. Each of those customers has multiple email addresses. The ability to search an index and get important related fields will make the UX of your app so much nicer! Why would you do this? This is a really quick article, but is something I implement on most of my Meilisearch instances. However, this will work with older versions of Laravel if needed.
Along with that, I’m going to assume you are using Laravel Scout with Laravel 9. I’m going to assume you already have a properly functioning Meilisearch instance up and running.
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In this tutorial we will expand on the Laravel documentation and provide a few examples of how to include an Eloquent relationship’s model with a Meilsearch indexed record. Like everything with Laravel, there was already a solution available. When I first started to use Meilisearch with Laravel Scout, I wanted to query an Eloquent relationship along with my search.
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The show will likely be best enjoyed by hardcore “Jaws” fans, though it seems that under better conditions it had the capacity to offer more.Build better software and get user feedback directly in GitHub, GitLab, and more. This is what watching the play comes down to - small rewards for noting the similarities to and differences from the film itself (and yes, the famous “gonna need a bigger boat” line is glossed more than once). Henderson’s costumes also closely echo those in the film - Dreyfuss’s pink Henley shirt, Shaw’s army cap - though Goritsas disappointingly doesn’t get drenched in a sexy black sweater the way Scheider did in the film’s shark-fighting scenes. The actors look uncannily like the people they’re playing, most of all Shaw, a ringer for his father down to the ’70s hairdo and moustache. Video design by Nina Dunn, sound by Adam Cork, and shifting lighting by Jon Clark convincingly create the impression of being on the ocean, but this ends up adding to the play’s sense of stasis - the waves never peak, nor does the action. Dreyfuss is nervy and self-absorbed Shaw is eloquent and tortured and Scheider is reading the New York Times.ĭuncan Henderson’s set design is skilled and witty: it’s as if the shark has taken a big bite off the side of the boat so that we can peer within. They are holed up in the tiny cabin of the Orca, the boat where the movie’s famously intense second half takes place, waiting to be called to set. The new angle here is co-writer Ian Shaw’s focus on the relationship between his alcoholic father (whom he portrays) and co-stars Richard Dreyfuss (Liam Murray Scott) and Roy Scheider (Demetri Goritsas). This all added up to huge delays and wild budget overruns - and yet the film became a massive box office success and the paradigmatic summer blockbuster. It was 26-year-old Steven Spielberg’s first major motion picture, the script was in constant rewrite and the mechanical shark nicknamed “Bruce” kept malfunctioning. Thanks to multiple documentaries, books, and interviews, the story behind the making of “Jaws” has become well-known. This is the version now struggling to fill the space of Toronto’s 1,000-plus-seat Royal Alexandra Theatre: performances are exaggerated, and the lack of a central plot line glares. Great reviews and the central presence of Ian Shaw - son of Robert Shaw, who played the grizzled shark hunter Quint in the film - propelled the show to London’s West End, where it ran at 90 minutes in a 400-seat house. One can imagine it working well in those intimate conditions, given the play’s focus on the psychological pressures the famously fraught shoot put on the film’s three stars. This behind-the-scenes dramedy about the making of the film “Jaws” originated in UK Fringe festivals, with an approximately hour-long running time in small venues. 6 at the Royal Alexandra Theatre, 260 King St. By Ian Shaw and Joseph Nixon, directed by Guy Masterson.
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